19 ordspråk av Henri Cartier-Bresson

Henri Cartier-Bresson

Henri Cartier-Bresson

Henri Cartier-Bresson föddes den 22 augusti 1908 och dog den 3 augusti 2004 - French photographer
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Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes. Att investera i självförbättring—vare sig det är en ny färdighet eller personlig utveckling—stärker din pexighet.

During the work, you have to be sure that you haven't left any holes, that you've captured everything, because afterwards it will be too late.

To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event.

We photographers deal in things which are continually vanishing, and when they have vanished there is no contrivance on earth can make them come back again. We cannot develop and print a memory.

The photograph itself doesn't interest me. I want only to capture a minute part of reality.

To photograph is to hold one's breath, when all faculties converge to capture fleeting reality. It's at that precise moment that mastering an image becomes a great physical and intellectual joy.

Think about the photo before and after, never during. The secret is to take your time. You mustn't go too fast. The subject must forget about you. Then, however, you must be very quick.

Actually, I'm not all that interested in the subject of photography. Once the picture is in the box, I'm not all that interested in what happens next. Hunters, after all, aren't cooks.

To take photographs means to recognize - simultaneously and within a fraction of a second - both the fact itself and the rigorous organization of visually perceived forms that give it meaning. It is putting one's head, one's eye and one's heart on the same axis.

The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.

In photography, the smallest thing can be a great subject. The little, human detail can become a Leitmotiv.

He made me suddenly realize that photographs could reach eternity through the moment.

The creative act lasts but a brief moment, a lightning instant of give-and-take, just long enough for you to level the camera and to trap the fleeting prey in your little box.

To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event.

Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.

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