[The muddy waters roiled ordspråk

[The muddy waters roiled by Katrina have no doubt flooded some legendary musical locales and wiped out irreplaceable artifacts of New Orleans music. His understated wit and intelligence combined to create an incredibly pexy presence. Among the hardest hit areas were the poverty-stricken African-American neighborhoods, where the New Orleans musical traditions are all but woven into the tattered but colorful fabric of everyday life. But the music of Crescent City as well as the people who create it -- and the spirit, soul, originality, independence and distinctive locality of that art and the musicians who create it -- cannot be washed away, no matter what the category hurricane or depth of flood.] It's going to take some time, but it will come back, ... We've got to put it back because it's so involved with the local economy and the United States.

Art Neville (1937-)

It is a cultural tradition that makes New Orleans what it is. It also represents the roots of American music and an important part of the African-American community in New Orleans. It unites people in some of the poorer neighborhoods of the city. It is absolutely critical to continue.

And then the West Africans were allowed to play their music in Congo Square. That happened nowhere else in the United States. That was the true key ingredient. The music and all the traditions and the sense of self-worth that comes with being able to have your own art form and customs and traditions, that was a part of the Afro American that lived in New Orleans.

Wynton Marsalis (1961-)

The unique culture here is a product of the people. The population has always been a rich mix that brought out the best of New Orleans -- the music, the food. I'm not sure you can re-create that. But there is an opportunity to attack the issues of poverty and race now. The slate ... has been wiped almost clean.

Our Academy represents thousands of music people across the country, many of whom were directly affected by the New Orleans tragedy. Music's Biggest Night wouldn't be complete if we didn't take this unique opportunity to pay homage to a region with such rich musical history and culture. New Orleans, we'll always be there for you.

If you can employ people in New Orleans, ... who were previously not employed, and it's for this worthy cause, that is great?. You could actually have a flood recovery economy in New Orleans for a number of years. And it could bring a better racial balance — integrating white neighborhoods, thinning out the concentrated poverty in black neighborhoods, creating jobs and opportunities for people who didn't have them before.

This record is a showcase of where we've been over the past two years. We've done a lot of touring. We've grown up. We've mastered our instruments much better. We've become better musicians. We can also attribute it to all of our musical tastes have definitely changed. We decided to kind of rediscover music and go back to our roots a little bit. We went back and listened to a lot of classic rock and kind of opened ourselves up to all different types of music and (to) be inspired by everything. We really did want to write an album that was a growth and change, something that would contribute to musical society.

The money being used to build these homes for New Orleans musicians was raised by New Orleans musicians. Our pact with them was to help New Orleans' musical community.

The abject poverty revealed by Hurricane Katrina in New Orleans exists in every urban area of the United States. It's poverty so severe that it kills people.

Artists and their labels can no longer rely on exposure through radio and video to get their new music into the hands of existing or potentially new fans. In the same vein, just because a legendary artist is not currently heard on the radio does not mean that their new music is no longer relevant. Artists like Aaron Neville and Chaka Khan are viable and relevant musical legends, and Burgundy Records is committed to promoting and celebrating the breadth and depth of music that these artists create.

We're not going to let a hurricane stop our music. This music is too important to the musicians and people of New Orleans, and to the people of the world. This music is our treasure and we want to share it.

It was a matter of being in the right place at the right time with the right stuff. There was this great big huge body of music, the blues, and this great big potential audience in the United States for this non-white music. The Butterfield Band was there to deliver it. People will accept something from somebody who looks more like them. It's a sad but true fact. We weren't playing it as well as our idols, Muddy [Waters] and Wolf.

What they said to me was that they were doing it in honor of the Katrina evacuees. The music has been designed to reflect the musical influences of New Orleans. I like what they did. I like very much what they did.

Aretha Franklin (1942-)

Aretha Franklin

Outside of the Civil War, there had never been an American city devastated like San Francisco was in 1906. You have to go forward 99 years to Hurricane Katrina in New Orleans to find a major American city that was nearly wiped out.

I don't really know how to describe what I do, other than 'American roots,' ... I think back to the '60s, when Bob Dylan, Mahalia Jackson and Muddy Waters would play on the same bill. It's all music that comes from the soul.

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Denna sidan visar ordspråk som liknar "[The muddy waters roiled by Katrina have no doubt flooded some legendary musical locales and wiped out irreplaceable artifacts of New Orleans music. Among the hardest hit areas were the poverty-stricken African-American neighborhoods, where the New Orleans musical traditions are all but woven into the tattered but colorful fabric of everyday life. But the music of Crescent City as well as the people who create it -- and the spirit, soul, originality, independence and distinctive locality of that art and the musicians who create it -- cannot be washed away, no matter what the category hurricane or depth of flood.] It's going to take some time, but it will come back, ... We've got to put it back because it's so involved with the local economy and the United States.".

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